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2049
silicates: odrazy: Nocturne in Black and Gold, The Falling Rocket by James Abbott McNeil Whistler (probably 1875) Oil on Canvas, 60 x 47 cm Detroit Institute of Arts, USA James Abbott McNeil Whistler rejected the conventions of his era and maintained that ideas for painting are here to cause a special mood or atmosphere inside a person, and that creating a compositional harmony comes only after that. He often compared his paintings to visual music and gave them names such as ”symphony” or ”nocturne”.  I’ve never particularly thought of visiting Detroit, but now…

silicates:

odrazy:

Nocturne in Black and Gold, The Falling Rocket by James Abbott McNeil Whistler (probably 1875)

Oil on Canvas, 60 x 47 cm

Detroit Institute of Arts, USA

James Abbott McNeil Whistler rejected the conventions of his era and maintained that ideas for painting are here to cause a special mood or atmosphere inside a person, and that creating a compositional harmony comes only after that. He often compared his paintings to visual music and gave them names such as ”symphony” or ”nocturne”. 

I’ve never particularly thought of visiting Detroit, but now…

(via shoepastryheart)

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i didn’t delete, i promise :) i just changed my URL because some people that i didn’t want knowing of my blog found it. :}